POPA CHUBBY

Popa Chubby performing at Cafe Eleven

Jan 8, 2018

8:00pm

with special guest JW Gilmore and The Blues Authority

The Original Cafe Eleven

 St. Augustine Beach, FL

$17adv / $22door

General Admission Partially Seated/Partially Standing Room Show

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Twenty five years of hard rocking blues

Popa Chubby, born Ted Horowitz, has been hard rocking the blues in his fierce and soulful way for more than 25 years. Over the course of a career that dates back to 1994, he has been a force of to be reckoned with on the guitar, and his tempestuous, soulful playing has never been more powerful. An imposing figure with a shaven head, tattooed arms, a goatee and a performance style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson,” Popa Chubby is an endearing character who is one of the genre’s most popular figures.

His career has always been about moving forward and carving a place for himself in the imposing terrain of the music business, overcoming odds to continue growing and maturing as a creative force. He has built a constantly increasing base of fans across the world, where in many territories he is a star. A native New Yorker, Horowitz’s first gigs were in the NYC punk scene as a guitarist for what he reflects was a “crazy Japanese special effects performance artist in a kimono called Screaming Mad George who had a horror-movie inspired show.” Right from the start he was immersed in rock ‘n’ roll as theater, and learned from George and others playing CBGB’s at the time that included the Ramones, the Cramps, Richard Hell, whose band, the Voidoids he joined that rock ‘n’ roll should be dangerous. He reflects, “Musicians like the Ramones and the Sex Pistols weren’t just bands. They were a threat to society.”

The Blues however was the foundation of his playing style. He recalls, “Since I’d grown up on Hendrix, Cream and Led Zeppelin, when I started playing blues in New York clubs I understood that the blues should be dangerous, too. It wasn’t just from playing in punk bands. Howlin’ Wolf and Muddy Waters were dangerous men. They’d cut or shoot you if they thought it was necessary, and Little Walter packed a gun and wouldn’t hesitate to use it. That danger is a real part of the Blues and I keep it alive in my music.”

Popa Chubby is his own man for better or worse. He reflects, “I’m living in a wild time, and that is where the inspiration is drawn from. There are my issues, but the picture is much bigger than me and my situation. Everything is breaking down in the world. The lines are being redefined. We all need something.”

 

 



JW Gilmore and The Blues Authority

JWGilmore

   

JW Gilmore is a master storyteller, a demon on the harp, a well-versed musician and, above all, a showman extraordinaire.  From slow dirty blues to frenetic swing, JW keeps audiences laughing, smiling and dancing into the night.  He has been playing harmonica for over 20 years, from Baton Rouge to Ft. Lauderdale, playing with greats like Tabby Thomas, Chris Thomas King, Louisiana Red and Joey Gilmore.  He can be heard on the Blue Beat CD Blues From the Swamp by Tabby Thomas.  JW was also a regular on the South Florida blues circuit, playing both coasts from Ft. Lauderdale to Naples, bringing his burning harp playing and his soulful song stylings to thousands of fans.  Seeing JW live is a true treat.   Part Muddy Waters, part James Brown, JW puts on an energetic entertaining show while keeping true to the roots of the music.  Just close your eyes and you can see him on a front porch spinning a yarn or in a small juke joint belting out the blues on a sweltering Mississippi summer night.  JW is a blues performer that takes to heart the legacy of the legendary bluesmen that have come before him.   He's much more Muddy than Stevie Ray, more Little Walter than Eric Clapton, he plays a pure blues rather than rock versions of blues classics.  Just like the great bluesmen, JW can surprise you with new tunes and old classics with new interpretations; with JW you just never know what to expect and that's half the fun.

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